Gmusicbrowser includes a ton of layout options-it's possible to make it look like many other players. The player presents a volume control, which works and I suppose is managed by GStreamer. Song Properties shows the static bitrate and sample rate, but not the word depth. I could see in /proc/asound/card1 that 96/24 tracks played correctly. After installing it, I used the Settings menu (the GNOME3 gear in the upper right) to configure the output to use ALSA (after passing it through GStreamer) and selected my hardware device. Gmusicbrowser is available in my system's repositories. It looks pretty good, with a serious focus on performance and flexibility, less on eye candy. Like Audacious, my library imported very quickly-I estimate less than 10 seconds. URLs can be added, but there does not seem to be a predefined directory.
This player also seems to be playlist-oriented. Neither the spectrum nor the scope options gave me a solid indication of their level. I found I could change the layout by enabling Design Mode-there are lots of customization options there. I removed the resampler but couldn't make the equalizer stay away. There's also an option to configure digital signal processing (DSP) in Preferences, including an equalizer and a resampler. Oddly, the player presented a volume control that worked, which means there is some kind of conversion going on, at least when that control is used. The player shows a static bitrate, sample rate, word length, and a few other items. I used Edit > Preferences to select the ALSA output plugin and select my DAC's "Direct hardware device without any conversions." I could see in /proc/asound/card1 that 96/24 tracks played correctly. deb file available from the site, which required two steps: sudo dpkg -i deadbeef-static_0.7.2-2_b
DeaDBeeFĭeaDBeeF-such a name! But anyway, I installed the. Especially for those who have fond memories of Winamp but want something open source. I could add URLs, but there was no directory of streams. My library of some 7,500 songs imported in less than 10 seconds-wow! I had some trouble figuring out the left-hand side of the display after loading my library, it showed 15 genres (I have many more), then four artists, then one album by one of those artists. As far as I could tell, the user must build the playlist and run the player on the playlist. There is kind of a spectrum analyzer that gives a rough idea of the music level. I could see a static bitrate, but no sign of the bitrate as a track plays nor the sample rate/word length. My DAC's location, /proc/asound/card1, showed that a 96/24 track was playing correctly. After installing it, I configured the ALSA output plugin option, which supports automatic bit depth, to use the hardware option for the DAC. 8 open source music players AudaciousĪudacious is available in my system's repositories. First, I'll tell you a bit about each and then I'll share my ratings. I also passed on Aqualung (required compilation from source), Alsa Player (core dumped on trying to add a 96/24 FLAC file to the playlist), Elisa (site indicates it is still in heavy development and currently at version 0.2 or 0.3), Exaile (seems that the current version 4.0.0-rc3 requires compilation from source), GNOME Music (waited a looooong time with no sign of my music library being successfully loaded), and LXMusic (could only add MP3 files to the playlist).Įliminating those applications left me with eight to review. Several players- Jajuk, Lollypop, Lplayer, Museeks, Musique, Qmmp, and Rhythmbox-contain no controls (that I could find) to select an output device. A number of very thoughtfully designed and popular players don't serve my criterion of passing music directly through to my DAC, including Amarok (see this discussion), Clementine (see this discussion), and JuK ( the only information I could find about setting output devices dates back to 2005).
Mp3 gain adds static software#
Here in the second part, I'll use those criteria to help you pick the right software for your needs.įirst off, there are a lot of open source music players out there! Which is a wonderful thing, because each one is designed to make someone (or several someones) happy, depending on the features they require. In the first part of this series, I write about the key requirements for an audiophile digital music player and shared the criteria I use to evaluate open source music players.
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